Posts Tagged ‘國畫裱褙’

Traditional Chinese painting backing 國畫裱褙 4

Sunday, January 29th, 2012

top chinese painting 國畫大師倪汝霖老先生談國畫裱褙 4
Traditional Chinese painting Master RuLin-Ni discussed that the traditional Chinese painting backing
Side pastes presses and inlays the silk 1:(This section of movies, to make up state)
Develops in the plank, the approximately 5, 6 hours, after air drying, using the bit in the top right-hand corner, cut a small mouth, do not cut before the picture heart (refer to have not developed the picture), the favorable bamboo bottle opener, on left, right under pushes again rips open, holds about the angle above again, rips open under toward the left, completes the board.
Will draw the heart to rebate alines, drills the eyelet in the angle, takes the symbol, opens the picture heart again, cuts, the rectangular picture heart with the boxcutter.
Pastes holds down strip:
Cuts first about holds down strip up and down, may slightly be bigger than the picture heart’s length, then draws close to the table along, with models the film on all around to stick (not adjustable water) at the back of the picture heart.
After pasting, will come out to hold down strip trims off.
Pastes about the world the damask silk piece:
Cuts about the damask silk piece first, generally the width approximately 5 to 6 centimeters, slightly long picture heart altitude, pastes when near table continues to use models the film to stick in the picture heart frontage, must keep the space which holds down strip, is separated do not be too big, must be consistent, after pasting, take the picture heart holds down strip the periphery as the datum, cuts the uneven about damask silk piece.
Cuts above and under (day and place) again the damask silk piece, the day length the approximately 60 centimeters, the place length the approximately 30 centimeters, the wide part, may slightly be bigger than pastes about the damask silk piece width. When pastes, approaches the table along, with models the film, in the picture heart frontage, sticks the space which remains holds down strip, the gap must with about side consistent. After pasting, pastes about the damask silk piece width, cuts damask silk piece which comes out together. Again (holds down strip take the picture heart periphery with picture heart engagement place) as the datum, by the biggest equal-space, finishes two symbols with the pencil, cuts the uneven world with the long ruler.
Shutechen 20101028

Duration : 0:6:28

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Traditional Chinese painting backing 國畫裱褙 5

Sunday, December 4th, 2011

top chinese painting 國畫大師倪汝霖老先生談國畫裱褙 5
Traditional Chinese painting Master RuLin-Ni discussed that the traditional Chinese painting backing
Side pastes presses and inlays the silk 2:(This section of movies, to make up state )
The flanging, using the drill, take the picture heart’s periphery as a datum, draws the approximately 0.5 centimeters width, do not draw breaks the damask silk piece, the table continues to use models the film, when on sticks, on the best person sticks person of flanging.
Above and under pastes on the stick axis cotton sliver:
Cuts first, the top roll cotton sliver 3 centimeters, fold 1 centimeter, the altogether 4 centimeters, get down the stick cotton sliver 5 centimeters, folds 1 centimeter, the altogether 6 centimeters, then using the ruler, the quantity leave at the back of the picture on, along 3 male branches, with the pencil sketch air wire, and the quantity leaves, at the back of the picture, along 5 male branches, with the pencil sketch foul line, then approaches the table along, with models in the film line (to picture heart on not to stick the approximately 1 centimeter outward), do not be too wide. The top roll cotton sliver, under the stick cotton sliver folds again left side of the good 1 centimeter, cuts pastes neatly, excises the unnecessary cotton sliver.
Shutechen 20101028

Duration : 0:7:5

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