Posts Tagged ‘隸書’

Brush Techniques for Chinese Calligraphy Clerical Styles: Round vs Angular Brushstrokes

Friday, July 27th, 2012

top chinese calligraphy 書法三個基本要素: 用筆、結構和章法。用筆之法有”方”"圓”之分。The secrets of creating numerous Chinese calligraphy styles are mainly about brush techniques, structures of characters, and the layout of characters in a work. Brush techniques for Chinese calligraphy can be summarized as round brushstrokes, angular brushstrokes, a combination of both with different percentages, and etc.

The statements in this video are deductive; they cannot cover all the creativity, broadness, and aesthetics of Chinese calligraphy styles if viewed literally. While inductive reasoning argues from the particular to the general, deductive reasoning argues from the general to a specific instance. For example, the word “duration” in the annotations may help a practitioner to understand that the ink tonalities, writing speed, length of each strokes, the nuances between the percentages of round and angular brushstrokes are all related to time (duration).

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Li Shu 隸書 Chinese calligraphy sample lesson #2 (why prefer older rubbings?)

Saturday, May 19th, 2012

top chinese calligraphy Original rubbings ( 原拓 ) from steles of Chinese calligraphy models are always preferred by well-trained Chinese calligraphers and teachers. The shape, structure, spirits of each characters as well as nuances are well kept; however, due to aging and Acts of God, steles deteriorated over the years and the calligraphy needs to be deciphered, understood, and analyzed for practice or appreciation.

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